Morning Lesson August 02, 2022 Transcription

Transcription is made from simultaneous translation which leaves a possibility for differences in the audio

Baal HaSulam. "Study of the Ten Sefirot" (TES). Vol. 1. Part 3. Inner Observation. Chapter Fourteen. #5 ("You can therefore see that in AK,")

1 R. (04:12) Until the world of Atzilut we don’t have screens because there everything is speaking about bestowal, in the world of Atzilut we also work above reception by rejecting the reception towards bestowal That's why the screens that let us receive in order to bestow they don't exist in the world Adam Kadmon meaning above the general Tabur. Also from Tabur until the Parsa below the general Tabur until the Parsa also, so what we do start working with when we correct the vessels is only with the vessels of the worlds Beria, Yetzira, Assiya, that they also can't be corrected instead but to raise them to Atzilut and in Atzilut we correct them, that's it. So we correct them in Atzilut we ascribe them to Atzilut and then Atzilut raises them above the general Tabur of the worlds. In this way it’s until Ein Sof in each and every correction the Reshimot rise from the place of correction is until Ein Sof, and from Ein Sof comes the light and corrects these flaws that are revealed.

2. S. (05:52) It’s still not clear what does it mean there are no screens and Atzilut is still a result of the screen?

R. I understand you but it's not the screens that are correcting the will to receive and turning it to bestow, it’s just these Partzufim are created by the bestowal by the upper light from above that in this way He bestows upon them and in that way they’re created and they stand there. There is no will to receive there yet that is revealed as the will to receive that is opposite of the light of sanctity of holiness that’s why when there is no light and dark good or bad, one compared to the other, and there is no correction to the will to receive so that’s how it happens that in the world of Atzilut there is no correction only in the worlds of BYA but in the worlds of BYA there are no corrections themselves because it's below the Parsa, they must ascend below the Parsa and that is where they get corrected.

S. What is a screen?

R. The screen is always the force of overcoming above the will to receive that wants to raise its vessels, the shattered vessels towards correction. Yes.

3. S. (08:05) Can we say it’s like the GAR? It's as if we get in our intellect but we cannot you do GAR?

R. You can think that for now.

4. S. (08:27) The tree of knowledge, the good and evil, is that a desire that is below the Parsa?

R. That’s in Atzilut. We’ll be talking about this soon where that system is called in such a way.

5. S. (09:29) He says that the screen that acts as actually in the Sium of Raglin of AK, now the rest of the screens only act in bestowal, so what we learned the screen of Rosh and the screen of Tabur?

R. It has nothing to do with one another there’s screens from Ein Sof until the Sium but it depends what types of screen we are speaking about and as much as they influence the correcting of the vessels, that’s all I can say, wait a bit you hear what’s written, don't forget it and gradually we’ll scrutinize it, why is he thinking that there are no screens from Ein Sof until the Tabur of Galgalta of AK. Why are there no screens from Tabur to the Parsa? So what, where are the screens in the world of BYA, what force do they have, what do they have to scrutinize, what do you correct in them? As if it's not clear to us so wait a bit, for now write it down or ask yourselves, write down questions and I’ll scrutinize them, it's good you have questions. I am also not wanting to answer them so quickly because we're lacking materials, you see how he writes sometimes he writes in a way that this is how it is why, where did it come from, where are you taking all these things, there’s so many questions but nobody would ask, and that we asked Rabash when we studied so he said, “you see what's written that's what's written that's it.”

6. S. (11:43) It’s written here in the middle that the light of Ein Sof doesn't shine below Raglim that’s why it’s the light of Toleda?

R. I don't understand what you said, is that a question is that an answer.

7. S. (12:28) So he writes here a simple question I have for you, I always stumble upon this. From Parsa and below the force of the screen controls since it stopped the right of Ein Sof. What is this force of the screen, it only has the force to separate the light not to let the light go down?

R. The screens are in all degrees the light that comes from Ein Sof already comes with the help of the screens because if not for the screens not for the ability to equalize between the will to receive and the will to bestow there would be no cascading from above downward, all that cascading from Ein Sof and downward happen because the will to receive wants to resemble the will to bestow that’s why there’s the cascading of those degrees and after the ascending of the degrees from below upward.

S. So what it’s role afterwards is to connect the upper light to the lower one?

R. Correct to connect all the lights to Ein Sof.

S. So what's the essence of this action to cross the screen? When we cross it so that the upper light will come down to the lower part? What should I do?

R. That will happen in Gmar Tikkun that all the parts of the shattered vessels will be corrected and they’ll ascend as much as they all can each and every one to bestow to Ein Sof to the Creator and then from Ein Sof comes the direct light the great light that will fill that line and then this line expands into the circle.

S. And the screen is canceled?

R. No the screens will not be canceled, the screens are the intentions to bestow they can’t be canceled. How could that be?

S. You’re saying that the screen separates above and below so why won’t it be canceled?

R. The screens are like Tabur, Parsa and so on, that will all be annulled but because there will be a coupling, a general coupling upon all the will to receive at once.

Reading Chapter 15 (15:21)

8. R. (19:16) So we see here that the order of the clothing is according to the same rules, according to the same rules that we have Arich Anpin, AB if Ima, Yeshsut, ZON, Zeir Anpin, and Nukva and between them there’s also all those parts and also above the Parsa and below the Parsa actually there’s no difference in the dividing of the Partzufim, there’s a difference in the intensity of each and every part but that’s it.

Continues Reading (20:15) Item 3 “Just as Atzilut is…..”

9. R. (21:33) So we have finished part three of TES, from tomorrow we’ll start part four.

10. S. (21:49) What is the summary of this lesson? What should we take in our head?

R. We learned a lot of things from part three even about the still vegetative and animate and all the parts that are in between the animate and speaking and so. Part three includes a lot of topics that supposedly don't seem really related under one topic but he gives a lot of discernments in this that’s it.

11. S. In the first part of the lesson today you taught us about opening the locked gates. Maybe you can give us a small bits so we can take it until the noon. What is to open the locked gates?

R. To open the lock gates depends on the connection between us and how by that we aim ourselves together all of us in the ten towards the Creator, we need to promise all the friends in the ten each one to the others that we are thinking about one another, concerned about one another, connecting our desires together, and aiming our prayer towards the Creator that the Creator will correct us correct our desire and then be revealed in our desire as the mutual force of bestowal between us towards Him.

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