Morning Lesson January 13, 2024

Transcription is made from simultaneous translation, which leaves a possibility for differences in the audio

Part 1: Rabash

Article No. 8, 1986. Concerning Help that Comes from Above

1. Rav intro: A long article but does anyone have questions?

2. S. (43:12) According to the article, it turns out that there's this order of one line and then there's the right line relative to the left line, and then the Klipot. Then make some understand that he has no forces on his own and he has to go in faith above reason. And then to pray, those are the stages that I wrote. Then the question is, when does the Ten enter into action, when is it expressed, in what stage and how do you work with the Ten in those stages? Is it at every stage along the way there's a Ten or only at a certain stage along it?

R. What stage can he go through without the Ten?

S. Maybe one line, when he describes this one line when there's no for the sake for the Creator, where he can work with his own forces and doesn't reveal lowliness. He counts years and if it's twenty years he does, then it could be that there's no Ten here, no action here? That's also the question if it's right to look at it this way?

R. There are people who counted this way, yes. 

3. S. (44:43) He writes in the article that if there's no additional line that there's no right line, meaning there has to be one line then you can go in the other line. Now, according to what I understood in the article, the right line is when you perform actions and there's a reward. He gives the examples, if I understood it correctly, we're with a religious person who does external actions, he knows that he is accumulating actions from this. And only later the left line is revealed to him, where he doesn't see the reward and he needs to work above reason. On our path, what does the right line mean we didn't really learn the right line, to do external actions and we'll have a reward?

R. The right line has nothing to do with external actions, the right line is also actions in order to bestow, the right line is also Lishma.

S. What I understood from the article is the right line, say he does actions for five years, he has a reward in five years?

R. Well?

S. In the left line, he can work for ten years but he sees nothing, just a little bit. What is it in our work, the right line on the left line, I don't understand that well?

R. Yes.

4. S. (46:38) Maybe like this, he appreciates more Lo Lishma, and all that the Creator gives him is some grip and desire for spirituality. He appreciates it as wholeness, and he does the actions with the intention. And with the left line, in that state where he understands he is in wholeness, but he wants to advance, and he wants to sanctify the truth, which is Lishma, then he opens up the desires, new deficiency. He sees where else to advance and his intention. And here he needs help from above because there's danger here, that's how I understood the article.

R. Who can add to that?

5. S. (47:27) It turns out that one light and two lines is a completely different work. In one line, a person is engaged in counting his deeds or time, as written here. And in two lines, he's not engaged in it at all, but in how much he can bring contentment to the Creator. There he identifies he's not in the right intention, he calls it the left line here, and then there's an action called above reason with which he turns or shifts to the right line. I wanted to ask about what is that action of moving to the right line above reason, what kind of wholeness is that? Because I look and see that I'm not in the right intention, I checked, I saw, so how do I move to the right line? Then suddenly above reason, I say everything is ok. I can't seem to understand it?

R. Because the state that you are depicting is not good.

S. What do you mean?

R. Meaning you're seeing that you are on the left line, yes.

S. Left line, again I understood a person is doing this action of connection with the friends, trying to make it closer to our work. We try to connect, we try to do actions of connection, but we discovered that our intention there is not to bring contentment to the Creator but it's a different intention. Say, to gain something for ourselves, if I understand correctly that's called the left line, at least that's what I understood from the article.

R. No, the left line is a line of Kedusha where you intend to be rewarded in something from this. It has nothing to do with the work in the three lines.

S. I didn't understand what you said, I'm sorry.

R. When I have the opportunity to come closer to the Creator and I come closer to me by wanting to join all my forces, all my positive forces, to the process, actually that's called the right, let's say. Then I want to add to this also all the forces that seemingly want to fail me, and I either don't work with them or that I can work let's say in part of them, bend them, and work like I'm working in the right somewhat. Of course, not with all their forces, but at least somewhat yes and then it's considered that I am working in two lines; and now what did you ask ?

S. So now the person is trying to do the work?

R. Yes?

S. He described at the end that I tried to muster all the strength, even though I can't really do that. Then a person self-scrutinizes and sees he's not where he should be right?

R. Why not?

S. If I'm always thinking in my work that I'm in that, I am in the right intention, so then what? What line should I work with here? 

R. Yes?

S. But if I examine myself and see that I didn't manage to do the action for the Creator, and I did it for some personal gain of mine let's say. There I find that I need help, I need help in order to bring Him contentment? 

R. Yes?

S. Is that point called the left line, that calculation, what is the left line? Let's start there because I may have misunderstood what is the left line?

R. Okay, other questions on this topic.

6. S. (52:35) If a person is used to working on one line, we see if he's used to working on one line for the reward in this world or the next world, how does he even have a deficiency to work in three lines, it seems impossible?

R. Why?

S. He's used to working, he has actions he does, he feels the reward, how does?

R. But what work is he used to working in, what work did he have that he was accustomed to?

S. He works in one line, he's told he needs to add more actions. And he feels himself certain he has a reward for the actions he does?

R. He doesn't have an evil inclination whatsoever?

S. It turns out that he doesn't feel the evil inclination?

R. If he has no forces of resistance then there's no one to talk to.

S. Here is the question: How does the evil inclination and the deficiency awaken?

R. If it does not awaken, it does not awaken, very simply. He is not a person that can come to the purpose of Creation in three lines.

S. Can we somehow speed up this development or not?

R. Yes, if he enters the right group and tries to connect to them and be like them, even though he does not understand or feel many discernments that they're working with. Then, yes, gradually, slowly slowly it will all be absorbed in him.

S. To look for the right environment for development?

R. Yes.

7. S. (54:42) He says that in working on one line, a person is used to working with love, meaning that there's room for that work. And only after he got used to working with love, then he's permitted to check his intention. So he's starting to be taught to check his intention, and then the left line is revealed to him, that's what I understood from the article. The question is what does it mean to get used to working with love, how does a person get used to that, what should you do?

R. To be accustomed to be working in love is already to go through all these stages that we're talking about.

S. When I came to study, I right away learned that we have to check the intention, I skipped that step. And today I see that I have to work with love, otherwise, I can't do the action towards the friends, the Creator, I have to look for love?

R. Yes.

S. I ask myself how can I get used to delving into that, how do you acquire this force of love so that you can really take action, I feel like I skipped that stage?

R. It is, let's say, it's not so connected to the article, connecting to the friends with all your might and to decide that your future is in the connection with them. And that, in order to connect with them, you need to adhere to each and every quality that you identify in them. To every quality you identify in them and then you reached Dvekut, adhesion.

S. Delving into the connection with the friend, to go deeper and deeper into it, that's when a person gets forces of love?

R. Yes, to begin with, we come to the Ten, each of us; whereas in all of its flaws, so to speak, there are these flaws that are made in order to correct each of us. That's why we need to see the Ten as a device upon which we need to perform our examination, how to advance to the Creator.

8. S. (58:54) He speaks here at length about the danger of working with the left line, what is the danger?

R. The danger that he can enter into such calculations on the left line, that he will remain there, and it will appear to him logical and clear. That he's before this and can work with this with force, in a clear way, just like let's say, the whole world thinks that they are in some correct form.

S. It sounds like a danger if he doesn't enter the left line doesn’t it?

R. If he doesn't enter the left line he will remain in something between Heaven and Earth but if he enters the left line, there is the ability to justify himself by working seemingly with the force of evil.

S. What he's talking about here with regards to despair and being empty from both ways, and?

R. Yes.

S. I'll ask it differently, we always work in a single direction. We raise the importance in the Ten and greatness of the Creator and the friends and so forth. Through that, each one goes through different states.

R. Meaning that I need to constantly connect myself to the Ten in which I truly, like as if I'm not there. So much so that I'm not visible there, I am transparent, I dilute myself amongst everyone, yes.

S. Now he says that afterward, we enter some states. Now deeds, let's put it aside, we're talking about starting to work with an intention. He says when he starts working with the intention there's a danger?

R. Yes.

S. This is the question, what is the danger and if it's dangerous, how do you stay away from it?

R. The danger is that if I don't connect to the Ten, all that's possible for me and according to my qualities, then I don't come closer to the Creator and don't become like Him. In each and every state I need to see how I will resemble the Creator. And to resemble the Creator is called to reveal the Ten and be incorporated in it. To be incorporated in it means that I am simply annulling myself towards it.

S. The danger is we won't succeed in doing that?

R. There are several dangers here, yes, that on the way I cannot succeed. That I begin to see that my knowledge is higher than connecting to the society and the knowledge of the friends. There are many things here, the main thing is that I will nevertheless be incorporated in the Ten, this is the work.

S. Yes, but what's dangerous here, that it will throw a person off the path, hurt the Ten, what?

R. Yes, yes, yes, that a person can fly away from the Ten! He has this inner clash that he is walking in a different way than the Ten is and he's certain he's correct that he has nothing to do. Only to go on his way in his way.

S. That's the most dangerous thing actually for the one who walks on the path?

R. Yes, of course he may be brought back later.

9. S. (01:04:30) Precisely at a time of danger, it's a time the person needs to turn to the Creator. And the two angels that guard Jacob, they actually depart, disappear during danger. It is exactly the time when a person needs to adhere to the Creator and move to the middle line?

R. Again?

S. The two angels that accompany a person to the point of danger, we can say, and when danger appears they disappear. And the danger is the time that a person needs to pray to the Creator, only the Creator will help him?

R. Well?

S. It's basically entrance to the middle line? They don't control the light on the left line, or only the Creator controls the middle line?

R. How does the person connect himself to the middle line?

S. By adhering to the Creator, praying to the Creator?

R. How does he pray to the Creator if he now is inclined towards the right or left?

S. The forces that guard him disappear, he has no choice, he stays alone?

R. Check it and tell us later.

10. S. (01:06:25) What is the difference between a danger that is evident and one that is not evident?

R. These are more internal matters. The evident danger is one that is clear that it is danger and that one can circumvent, distance oneself from it. And then danger that is not evident is because the person did not listen to the advice of the Creator beforehand. He didn't protect himself, and then he stumbles upon the danger that is not evident. Then he suddenly discovers that there is danger here.

S. Why is it that specifically the evident danger, he's not being watched over and the non-evident danger, he is?

R. It is clear that the evident danger, it is clear to him what he needs to do corporally. There is this danger that is not evident, also needs to be clear to him, what he does with it in the spiritual matter.

S. The visible danger it’s basically the scrutiny of intention, can we say that in short?

R. Well, let's say.

S. Why is it dangerous for a person to scrutinize the intention, why if I want to get into that why is that dangerous, why?

R. Because they have eyes but see not, we are not allowed to show to the eyes. If we want to rise to spirituality, our eyes, not the mind, not the eyes, they are not working in the right way. Meaning in order to bring us successfully on the path.

S. How to stay away from the danger?

R. I don't think it is possible, I think the main thing we need is to know how to overcome every single danger that appears along the way. But to run away from the danger is impossible; and specifically by these dangers, we make certain ascends, we resolve certain problems.

11. S. (01:09:56) I want to read, I’m continuing a previous student, “the dangers begin when the person begins to clarify what is the reason that necessitates him to work”. Then he details two dangers here. One I will read, it says: “ First danger is that he is told that without reward one cannot work but each person doesn't work, doesn't matter great or small, he needs fuel to be able to work. If he's told that the reward is to be able to bring contentment to the Creator, meaning that all of this desire will only be to bestow to the Creator, the body doesn't always understand it as a sufficient reason to feel him to work because it is against man's nature. And since man's nature is the will to receive”, and so forth. Then he gives some dialogue there that the body tells the man, “how can I work and forget all the things that the body likes in order to bring joy to the Creator, and this is the path that has danger that the one will lose his spiritual life”. I want to ask about this, the point that accompanies us, I think, the whole path, is the resistance of the body. The danger is clear, it is understood, what is the advice to let go of it and turn it into an ascent, as you describe now to the previous student. In this stage, when the body persistently works on the person, even when he doesn't notice it, what is our advice, what to do about it?

R. What do you think? To hear what comes out of the state or not, what does this test tell you?

S. The one thing I can think about is to come to the lesson and read what Rabash writes and pray that in some way we will manage to use what we have got, to use these states. But I am asking, many times these states are, even absent-mindedly, he doesn't understand how the body works on him, and at a single moment, just cancels his entire work. But if you pay attention and see that the body resists, the advice is still not clear. What is there to do because nothing shines on him here, it's against nature, it's just not fair, basically?

R. Does anyone else have something to add here?

S. Same state, of course the advice is to be incorporated in the environment to get strength from that, both the person in danger and how the Ten should influence the person. And to add to that, it's felt that in such states of a very deep and profound danger, there's a detachment that even if one is in the environment, he can't absorb strength from there. The society can help, can give strength, even if the body is there in the process, still doesn't receive forces, doesn't rise, doesn't rise above the danger?

R. Yes?

A. So the question is what else can be done?

R. Okay, where are we? 

12. S. (01:15:02) What is to observe the Torah and Mitzvot in complete?

R. Absorbing Torah and Mitzvot, commandments, means connecting all the connections between a person in the still, vegetative, animate in the people. That he, that are in his environment, meaning his connection to nature, the overall nature, the still, vegetative, animate and speaking, will be a correct connection for his part. This is called observing Torah and Mitzvot. All that the Torah wants from us is to behave correctly in the world where we exist.

13. S. (01:16:25) From your answers, I didn't understand yet, how do I check if I'm in the right or the left line?

R. Did you understand his question?

S. The friend is asking how can a person check if he is in the right or the left line, or just in one line?

R. Move away from the mic and speak normally.

S. How can I check myself if I'm in the right line or in one line?

R. In one line, you are with all your three lines as one, as though they are one. And in the right line, you are when you are in a state where you can be connected to someone if you completely justify whatever comes to you.

14. S. (01:18:14) What does it mean that it's not important what I tell the Creator, as long as I'm turning to Him? He authors an article that it doesn't matter what he says but who he is talking to, what does that mean?

R. Because what matters really is to whom he is speaking; he can speak to the wall, I don't know. But if he's speaking to the Creator then his plea is already important in itself.

S. Can I ask another?

R. No.

15. S. (01:19:05) The Ten is like an instrument and the different degrees of resistance, so how to overcome the fear that I can get burned from this? Because of the different levels of resistance from each friend in the Ten.

R. Did someone understand what he was saying?

S. He says there are different levels of resistance between the friends, and he is afraid that he’s going to enter the collision and burn?

R. I don't understand such a state.

S. Let's say, argue with a friend, have some explosion, have some resistance between one another?

R. Okay let's continue.

16. S. (01:20:21) In the article he mentioned the angels that come to watch over him. What's the connection between those angels and where are the Ten in this process? How does this all combine with the Ten?

R. It is the same forces that the Creator has arranged for creation. He arranged several roles in them, among these roles, there are those that keep a person from falling, advancing forward. Even though he's not so, he doesn't really operate in this, he's not so active in this. And other angels have different roles, it's a network of forces that operate in a person, where he has to find himself and use it, just like he is doing correct driving of a car.

17. S. (01:21:35) How can a Ten know if they are in true work, especially if the deficiencies aren’t clear yet?

R. Repeat again.

S. How can the Ten know if they are in the true work in a state where the deficiencies aren’t really scrutinized yet?

R. I don't know how it can scrutinize, sort their desires correctly if they still have not reached the final sorting, no.

18. S. (01:22:44) Yesterday, to your advice I gave a short summary of the article, I went to check if I did it right. First, there's one simple line, it is simple work without the intention. Then when the intention comes, so the work is in you shall not add and you shall not take away. Then when you work with the intention, that's the left. But since the left is always the deficiency until the Gmar Tikkun, so that’s where a plea awakens from because the intention can only be changed by the Creator. Then there's a plea to the Creator and that's the middle line, is that correct?

R. No, if you can't find support, it doesn't mean it's still the left line.

S. What do you mean support, from who?

R. From your own qualities.

S. And the work with the intention it isn't called the left?

R. No.

S. Which of my qualities can support the left line, the work in the left line?

R. Which of my qualities?

S. You were saying that if you don't find support from your own qualities, it's not called that you're working in the left. Which of my qualities can support work in the left line?

R. Well, this I don't know, in fact we don't have any of these.

S. I have to ask about these qualities from the Creator?

R. We haven't reached it yet, but soon.

S. But that's the direction?

R. Yes.

19. S. (01:25:06) What is really recognition of evil, truly?

R. What is real?

S. Really recognition of evil?

R. What is really the recognition of evil? It's when we understand exactly that the evil is truly against the Creator. And we are willing to repel that force, precisely for this quality. And then we build in ourselves the good angel, and then we build in ourselves a correct depiction of the creation.

20. S. (01:26:18) Let's say a person is in the lesson and he doesn't have an intention yet. He incorporates, he tries to read. What does it mean that he goes to the right?

R. What right or left lines can he have if he's only reading?

S. That's what I'm asking, how from his wrong state can he go to the right?

R. I don't think he can immediately jump into the right line just like that. Within him there are still all kinds of questions and qualities that are opposite from the Creator. He needs to assemble in his group the correct relation to the Creator and show it to everyone. And ask for confirmation that he is relating to the Creator correctly. Then the right line will begin to appear in him.

S. What does it mean to show his attitude towards the Creator, towards the Ten, and then get an assurance that it was the right action?

R. When he calls on the Ten to connect in a certain way, with a certain intention, for the certain goal. And the Ten agrees and connects with him in this, then they are together and in the right line.

S. It says onward in the article that, from this state he needs to check and go to the left line. So how to check correctly?

R. In this work, he gets strength in the right line and then to this line, he draws the whole Kli, the whole vessel. And in this way obtains the correction of the whole vessel, but only through it. And then the rest of his friends should follow him.

21. S. (01:30:35) What does it mean in our work that “the angels will leave us and leave us alone in the work”, like Jacob was left alone. What does it mean for us?

R. He doesn't feel that he has understanding, recognition, feeling of what he acquired before, and now he is facing forces of nature. Let's call it the natural forces of nature and there is nothing he can do, only to find with them, with these forces that are unfamiliar to him, to find a connection with them, to find a connection with them.

S. What would be a correct action when we realize this is what you say?

R. The angel leaving us can be for worse or for better, in his case it's for better actually. Because he defeats them, the angels and comes to an encounter with the minister of Asaf.

S. Who should we ask for help here, action could be truly asking for help, so the action comes from us, actually?

R. Yes.

22. S. (01:33:11) I also want to continue with the friend. A person comes to the lesson, we read articles. What I get most inspired from his articles is that it's as if he feels what's happening in us. He gives us the path, he gives us forces and the righteousness of the path, I can see the map he's drawing. On one hand, it awakens excitement and gratitude, but it also gives you a lot of questions and doubts. Is that working two lines, what he is describing?

R. Not quite yet, but he is to continue.

S. Many times it turns out that we read an article, we can clothe ourselves in what he writes but we don't always hear the advice. What to turn to, where to turn to, where to go? Is that on purpose to leave it within the person, such a deficiency? Or do I still not have a deficiency to absorb his direction yet?

R. Our problem is that we are not connected enough. That nevertheless there is a great force here, a great power, but it is dispersed, it's not concentrated. So we see, where's that force we can consolidate and take a step forward with it, several steps forward. It is a problem; it is not working. We have to try as much as possible to be close, to be close, and then it will succeed for us. We have to understand that the whole Torah, what is it for? Only in order to, in order for us to connect, and then in this connection, according to all our congruence, our compatibility with the Creator, He will be reviewed.

23. S. (01:36:20) I heard that a person has to connect to his friends with all his forces and adhere to every quality you recognize in them. What is that work of adhering in any quality I recognize in the friends?

R. That you are adhered to them.

S. I recognize all kinds of qualities in my eyes with my attitude towards them. One seems smart, one seems humble, one seems arrogant, one is stupid, and one is smart. Those are qualities?

R. No.

S. What does it mean to adhere to every quality you recognize in them?

R. It is every quality that is built on a person's relation to the Creator, and it is complex, it is complex as well, I don't know how to say it. It is like a chord in music when you play it’s not one sound or note but several together and between them they have a special harmony.

S. Can I ask about the qualities again because there's something bothering me. A person measures his relationships in what he recognizes in the friends, so is the friend’s attitude to the Creator the friend’s relation, that's what a person has to annul himself towards, towards those qualities or towards qualities that are more human in them that he discovers?

R. Human, they too belong to the spiritual qualities, but the main thing is the spiritual qualities.

S. If we could organize this matter of human qualities and spiritual qualities. A person's attitude towards his friends in the Ten, towards human qualities, could I organize the right relation towards them because they are very dominant, they stand out and they establish a friend’s attitude toward his other friends in the Ten, friends that clothe conveniently in his will to receive and he appreciates them, and other friends he is rejected from, towards simple human qualities. What to do with this psychological action?

R. A person has to come to a state where he doesn’t look at it; it's not important for him. One can be bald and the other one is redheaded and another one is something else and according to this I judge if a person is suitable to be my friend?

S. You really compare it to being bald or redheaded? That’s like if I look at a friend whether he’s smart, stupid, arrogant, or humble, so it’s the same thing. It has to be on the side and not even to take it into account?

R. Yes.

S. Okay, so that's toward human qualities. Now we have spiritual qualities, what are they? What are spiritual qualities that I can determine in my friends in the Ten?

R. The level of his inclination toward the Creator.

S. A person thinks he sees a friend's tendency towards the Creator. What he gets inspired from, the friend's tendency toward the Creator? That’s a spiritual quality that I can see my friends in the Ten?

R. If he can.

S. So can he? One friend seems very purposeful and really yearning and the other one seems like he's not even in the right direction towards the goal. That’s closer to spiritual qualities, I can work with that more?

R. What are you asking about?

S. I want to know how a person has to correct his relation to the qualities of the friends, what he recognizes in the friends in the Ten. How does he adhere to those qualities? What did you mean that I have to adhere to each and every one of the qualities of the friends in my Ten?

R. It's not quite what I said but okay, let's put it this way. My friends, if this group is in a process of nearing, getting closer to the Creator and the Creator arranged them, chose them, drew them from all of humanity specifically to be closer to me, I respect them first of all for this.

S. Now I have to build an attitude towards some kind of discernment that I feel towards them?

R. What should you be building?

S. I have to appreciate them, to value them.

R. You have to accept them so that they will fill up all of your internality. You have nothing more than that, this is what the Creator gave you, this is what stands as the connection between you and the Creator, the connector between you and the Creator.

S. What fills my internality with the friends? What do I see in the friends that have to think that I want to fill my internality?

R. You want the connection between you to fill up your internality, all of your insides.

S. When I depict the friends that I want to connect with, what do I want to connect with in the friends?

R. You want to connect that internality that you have between you, between all of you which you attain.

S. This internality is between us?

R. Between us.

S. What's in every friend?

R. In every friend there’s nothing other than his annulment, the annulment of his ego and his connection with all the friends above the ego. 

S. When I want to connect with the friends, that means that I want to connect with what?

R. You want to connect with their desire to connect among everyone.

S. Clear, so let's say one friend it seems to me that his desire to connect with everybody I get inspired from, his desire to connect with everybody. Another friend I see that he doesn't have a desire to connect with everybody. When I start seeing differences in my attitude toward the friends, towards their desire to connect with everyone, what should I do with those differences?

R. You have to say that you cannot see how much they are in mutual love toward each other, rather you want to get into this society, into this Ten, into this network and truly incorporate in them. 

24. S. (01:46:09) I want to connect to the friend's question. It says that a fire devours his qualities according to what he has in his heart. How does my observation of a friend take him as a model that shows me the first nine Sefirot of the Creator that I can attain Dvekut with?

R. I didn’t understand the question.

S. It’s written that the Creator is like fire that devours, and you can't adhere to Him but only to His qualities, about the qualities it says according to what he finds in his heart. How can my observation of my friends make them become the first nine, that every friend models a certain measure I have to acquire on myself to reach adhesion with the Creator. And then I do with all my forces, with all my heart and I can see that quality that I see in the friend what the friend was asking about, as the next step that I am obligated to take?

R. Can you speak not like a philosopher but just normally? You are building such sentences that in the end you don't know how to understand them.

S. What makes my observation of the friend? You said annulment, that's my work. What changes my observation in the friend that his quality will become from something beastly to something that presents one of the nine Sefirot qualities that I'm supposed to acquire on myself?

R. This is even more unclear. Forget about the first nine, put it simply.

S. In the Ten I need to see a role model, that my friend is great, and I see him as great and I want to be like him, great that I want to be like him. How do I look at it and it's something I want to see and not something beastly or bald or a redhead?

R. You’re looking at him as if he is truly in the same form as you depict him. That he is smart, devoted, spiritual.

S. What causes that, except from a miracle from above that I’ll stop seeing the redhead and the bald and I’ll only see the help from above that is clothed in the friends to model that thing for me, exactly what I have to be?

R. When you develop love you stop seeing if he's red-headed or bald, you are adhered to more internal discernments in him.

S. If I see a divine example before me it’s because I love the friend in front of me?

R. Yes.

25. S. (01:50:01) In the left a person discovers the evil in him and naturally disregards the Ten, is ashamed of himself and he wants to hide like a turtle in his shell. Here you said that a person has to incorporate in the Ten and get forces, how do you do it?

R. Again?

S. On the left a person discovers his evil. In that state naturally he disregards the Ten and he's also ashamed of it and wants to hide like the turtle in his shell and here you said a person has to incorporate in the friend?

R. Wait a minute, like what? 

S. He describes it like a turtle that wants to hide in his shell, he wants to hide from the revelation of the left, of the evil?

R. I don’t understand it. 

S. So without the turtle he discovers the left, the evil and he wants to hide from the Ten and you said that this is a state that he has to get forces from the Ten?

R. Why does he need to hide from the Ten?

S. Because he discovered the evil in him.

R. That they discovered the evil in him?

S. In his attitude toward the Ten he discovers his?

R. Okay so he's afraid of it, so then what?

S. He's asking because you said that in that state you have to get forces from the Ten so he’s asking how to do it?

R. Does he want to be like them, or does he want to hide away from them?

S. He described that he wants to hide, I don't know if he wants to be like them in that state?

R. So there’s no answer.